The most likely way for humans to first travel beyond the Solar System is through some form of hibernation, most often referred to in sci-fi as deepsleep. The prospect is rife with dramatic potential for a good book – what would it be like to be the same age and yet years older than friends and family, or to never see them, or anyone else, ever again?
What Horizon does very well is take the whole idea in a new
direction. What if you went to sleep when the world was at a politically
precarious peace and when you woke up, everything had changed, including your
interstellar mission?
An uneasy alliance of Earth’s political superpowers – Pax
Americana, the Compact, the United Northern States and the European Union – get
the first interstellar spaceship off the ground and stick an equally uneasy
complement of crew members aboard, each with their own agendas, ethics and
political leanings. When they come out of deepsleep fifty years later,
everything back home has changed. The Earth is on the brink of environmental
collapse and power struggles in the wake of the crisis have reset the political
landscape.
As if that weren’t enough, one of the crew is dead and the
AI that runs the whole ship is going a bit haywire. In a cloud of suspicion,
paranoia and resentment, the crew have to try to figure out what’s going wrong
with the ship while coming to terms with mind-boggling changes at home and
what, if anything, those changes should mean to them.
Frequently, deepsleep tales focus on the isolation of being
out of your time, but author Keith Stevenson focuses instead on the stagnation
of it, the difficulty in adapting to 50 years of changes when your mind lives
in the past. Not only do the crew struggle to understand and accept Earth’s
political and ideological turmoil, they’re also flummoxed by the technology
Earth now employs with ease. Instead of being isolated, this crew are outdated
– in expertise, experience and understanding.
Behind it all is the fear that something has gone wrong on
the ship and could kill any one of them, a constant low level dread that saps
the crew’s patience with each other and makes things worse and worse. Like all
the best survival-in-a-confined-space stories, Horizon is a great thriller and
tying the crew’s mission to the changes back on Earth is a deft stroke that
adds another layer to the mistrust between them.
In fact, Stevenson’s debut novel only stumbles when it comes
to the ending, which is a bit too deus ex machina for my taste and rather
defeats the work that’s gone into the characters’ growth throughout the crisis.
Before the limp finish, however, Horizon is a tense page-turner with a fresh
perspective that should put Stevenson firmly on folks’ one-to-watch list.
Review first published on The Register.
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